Inkhaven: Advice for Aaron-Like People

This was Inkhaven month: I had to publish something every day.

It was a good month. I wrote 32,000 words, made four friends, and didn’t have to change my routines. (Aside from seeing my wife, which I’m glad I get to do now.)

It would have been a really good month if I’d changed my routines — to be more awkward, publish bad writing, and make premature plans.

A very brief review

Inkhaven is good. There’s plenty of food, a walkable neighborhood, and very strict deadlines. There are fun activities and writing mentors who take you seriously. The whole thing happens in Lighthaven, a big walled compound full of people who made the same weird choice you did — paying to write and be around writers. But there’s no pressure to socialize; if you need to focus on work for a day or a week, you can.

If you’re considering the program, and you can spare a month to go live in Berkeley, the answer is probably yes.

Advice for Aaron-like people

Henry Stanley, one of the most Inkhaven-y people here, wrote some advice that I endorse. It’s predictable; either of us could have written most of it in March. And yet, I didn’t actually follow the obvious advice, for reasons that were equally predictable.

Here’s the advice that very specifically would have helped March Aaron. If you are an Aaron-like person, maybe it will also help you.

Be more awkward

A few times a day at home, I walk to the fridge and get a soda. I did the same thing at Lighthaven.

At home, I don’t see anyone on my way to the fridge. We don’t have roommates or a cat; we don’t even have a mirror, at least in the kitchen. Soda time is a quiet transition between computer and more computer.

At Inkhaven, there are always people between you and soda. They are always having fun conversations. You’ll try to avoid eye contact, because you don’t want to interrupt and no one wants to talk to you. Why would they? They’ve never met you.

But Inkhaven selects for shy people, and even if most of the shy people are somehow friends from day one, that doesn’t mean you can’t befriend them on day three, or whatever day you get your bearings. Even if they think you’re awkward, they probably self-identify as awkward. You can be awkward together.

March Aaron: Force yourself to join conversations until you know everyone’s name. Talk to five people every day. When you like someone’s post, write them a compliment. Cancel your webfiction subs and block Mangadex until May; save your reading for the people around you. (They yearn to be read!) Random fiction is a fine hobby in most months, but not when you’re renting a room in the Wordcel Hotel.

The rats in this mural — short for “rationalists” — represent the friends I could have made along the way.

Publish bad writing

I write for a living — posts read by tens of thousands of people. I try to optimize every word. This is bad advice for bloggers.

On my first day, I published one minute before the deadline, then spent the next five hours editing. I didn’t know how to publish great posts, but I wanted to avoid writing any bad sentences, even if it meant I was wrecked the next day. I continued to edit every post after I published, which often doubled my time for a 10% quality boost.

Dumb. Better to have an okay post you can revisit later and a fun conversation in the game room than a “perfect” post that isn’t finished until everyone else is asleep.

I didn’t take many risks at Inkhaven. I had a lot of ambitious ideas I could never pull off in a single day. Instead, I mostly wrote about whatever felt easiest, or whatever I was thinking about at that moment.

Dumb. Better to write an interesting post badly than a boring post well. If you’re going to spend hours thinking about something anyway, think about something important.

This dark Lighthaven corridor represents my soul on the days I published at 11:59.

Make premature plans

The theme of this blog has always been “random stuff I think about”.

I came in with 600 ideas and no plans. I wanted to feel out the vibe before choosing topics or writing drafts.

Dumb! If you spend your first week sorting through ideas, you aren’t using that time to make friends. If you start each day with a blank page, you’ll never publish early enough to spend a carefree afternoon hanging out with the other early authors.

In the end, I got ~25 posts I was happy with (and a few I’d just as soon forget). But they don’t amount to anything: my theme is still the absence of a theme, like I’m a LiveJournal author in 2009.

If I’d forced myself to follow a structure — 10 short stories, 10 reviews, 10 articles on my weird philosophy of life — I’d have written more bad posts, but I’d have a serious body of work, the kind that might make someone follow my nonexistent Substack.

This mock trial represents… well, no, it was actually a trial.

Create a Substack

People like Substack. They know how to follow authors and leave comments. If you want them to read your work, put it somewhere they will see it. The end.

Is “Working” the Best Book About the 1970s?

Is “Working” the Best Book About the 1970s?

You start off like “wow, everyone has a story” and then 400 pages later you’re like “Jesus, EVERYONE has a story.”

—lola, Goodreads review

 

My favorite movie is Life in a Day. It’s the movie I’d show an alien to explain humans: 90 minutes of people sharing their lives and sometimes talking about their feelings.

Studs Terkel’s Working is the book version. Subtitle: People Talk About What They Do All Day and How They Feel About What They Do.

Terkel interviewed 100+ people around the United States, including a switchboard operator, two coal miners, a call girl, three paperboys, a fashion model, a migrant farm laborer, Pauline Kael, and Rip Torn, the coach from Dodgeball. He rarely appears in the book; his subjects mostly tell their own stories.

The result could be the best book about the 1970s. Most books about an era focus on what was unusual — culture, fashion, history. The problem is that most people, including me, have no idea what was usual. How did people spend their time? What made them scared or excited? What did kids want to be when they grew up?

It’s easy to think the answers are obvious or timeless, but human life changes with each generation. Here are some things that happen in the first ~100 pages of Working:

  • A stewardess gets a week of training on “make-up and poise”, including the most feminine way to let a passenger light her cigarette. On the plane.
  • A white, sophisticated feminist businesswoman drops the N-word with a hard “R”, multiple times, to describe her own working conditions.
  • A school district gives all the migrant farmworker children a week off to pick vegetables at harvest time, rewarding them with stickers for their hard work.
  • A telephone company only recently closed the “rest home” it was maintaining for switchboard operators who experienced nervous breakdowns.
  • A college professor complains that the Watergate affair has been “delicately brushed aside” by the American people. (This was before the impeachment.)
  • Several people have jobs that don’t really exist anymore: a switchboard operator who worked in a gymnasium-sized room (replaced by extensions and voicemail), an “installment dealer” who went door-to-door collecting checks for rent-to-own products (replaced by ACH and debit cards).

I recognize all the people in this book. People haven’t changed very much. But they live in a different country — an America with more sweat and smoke, where appearing in a commercial gets you mobbed in the subway, where five interview subjects talk about hamburgers but no one mentions sushi.


Putting the era aside, Working might be one of the best books about humans, period. It captures all the big feelings — boredom, envy, sorrow, anger, pride, contentment — but also peppers you with hundreds of facts about corners of the world you’ve never seen, both practical and personal. You don’t just learn the nuances of a receptionist’s job; you hear her fantasies set in the “land of no-phone”, where machines no longer tell her what to do. You get a primer on the installment business, and also a sense of how it feels to be a debt collector, working a job where no one is ever happy to see you.

If you had any one of these conversations at a party, you’d walk away feeling like you made a friend. Reading the whole book is like a long road trip with an interesting stranger at every rest stop. If you wanted to write the Great American Novel, you could scoop up ten of these people at random and use them as your central characters. Any ten. It would work.

A Reader’s Guide to Alicorn

Every few months, my RSS feed tells me there’s a new Alicorn story, and it feels like seeing a stray Christmas present under the tree.

I first discovered Alicorn when she wrote about disliking surprise gifts. But her stories are surprise gifts — the small, heavy kind that don’t rattle when you shake them.

Alicorn is among the greatest living authors of speculative fiction.1 She invented a popular microgenre and wrote least five collections’ worth of short fiction. But she’s criminally underrated; I’ve met fans of HPMOR or Worth the Candle who aren’t even aware of her.

Hence, this guide for new readers.

What makes Alicorn great

Alicorn writes without affectation. Her work is clear and easy to follow, even when a twist reframes the rest of a story. The people act like people — they have hobbies, emotions, motives, and flaws. I’ve never lost immersion because a character was acting ridiculous or a setting fell apart under examination.

Those characters and settings are deceptively deep. Reading Alicorn, I see one tiny corner of a larger world; I sense that she could start following a random side character without losing me. Her short stories feel like long stories; novellas feel like novels.

She’s gotten better over time. I reread 20 of her stories today; a few felt thin upon revisiting, but they were from 2009 and 2012. This decade, it’s been heater after heater. The concepts are denser and the twists are twistier. The surrounding worlds unwrap themselves in your mind without even needing to be written. Nearly every new story deserves a sequel — if only this wouldn’t take away time from new stories, which might deserve sequels even more.

Selected stories

I can’t say much about the plots, because discovering them is half the fun.

These are all selected from her short fiction. I’m still exploring her books, and I’ll get to the glowfic if we ever solve aging.

Under 5,000 words

SucculentNo humans in this one, but otherwise it’s the perfect starter story — premise, personality, twist, close the tab, stare at the wall.

Story OfA remix of Arrival, with a better ending.

Dogs: “Nothing good was preserved, and nothing bad had context.” Future generations will think we were hopelessly morally confused. (If you like this, there’s a small chance you’ll like this essay I wrote, also about dogs.)

Princess InnocenceI wish I could be an eight-year-old girl reading this, or a parent sending it to my eight-year-old girl.

ThresholdCleanest twist I ever saw. This is trans-everything fiction — it’s about changing religions and genders and genetics and substrates of reality. And it’s ten pages long!

StraxSympathetic non-magical parents? In my fantasy genre?

TowerUnder 1000 words, and perfect.

Over 5,000 words

KhanA horror story about good luck.

Hollow GroveLike Succulent, a story about things being grown by other things. There are many places you might catch the twist; all satisfy.

Specter SanctuaryOne of Alicorn’s specialties is writing futures that are better than the present, but still logistically imperfect. This one takes a top-three Black Mirror episode (“San Junipero”) and adds enough weight to anchor a multi-season series.

IbyabekDystopia, but the realistic kind: stale bread and broken tech and people who steal to supplement their flimsy state salaries and crutches that must be returned to the hospital when you’re done with them. I genuinely think this deserved to be a Hugo finalist — it reminds me of many recent Hugo nominees in its themes and structure, but with better prose and fewer words.

 

The Best Books of My 2018

Brought to you by the Internet Archive, the UC San Diego library system, and the team behind the Amazon Kindle.

This is the fifth in a series of annual book reviews:

I read ~113 books in 2018, and a lot of them wound up on this list. I may be giving out too many five-star ratings, but in the course of writing reviews, I remembered just how good all of these were, so… no regrets.

(My Goodreads account has a rating for every book I remember reading.)

 

The Best Books

I didn’t choose a cutoff point, but ten books stood out from the rest, either because of their sheer quality or because they were easier to read than competitors of similar quality.

Every link in this section goes to my full review on Goodreads.

Ridiculously good books:

  1. Black Lamb and Gray Falcon (free online)
  2. Impro (Keith Johnstone) (free online)
  3. Gates of Fire: An Epic Novel of the Battle of Thermopylae
  4. Erfworld (free online)
  5. Understanding Power (free online)
  6. Stubborn Attachments
  7. The Structures of Everyday Life (free online)
  8. George Orwell’s Essays (free online)
  9. Vinland Saga
  10. My Name is Asher Lev (free online)

Books that were merely very good:

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A Futile Attempt To Review The Book of Disquiet

“This is my most-highlighted book of the year. It is about a man who avoids interacting with other people whenever possible, lives for the sake of his daydreams, and would rather not be alive at all — less because he feels depressed than because life is boring.

“I… still don’t understand why I like this book as much as I do.”

Aaron Gertler, The Best Books of My 2015

 

The Book of Disquiet is remarkably difficult to talk about. And yet, when a stranger messaged me on Facebook because they’d seen that I was a fan, we wound up talking about it for an hour, stumbling around in circles trying to explain the way we felt.

(Reviewing the book is like trying to make up a new language in the middle of a conversation.)

 

The book’s Goodreads entry features nothing but four-and-five-star reviews on the first page. The second page, along with lots of additional praise, contains:

  • A single one-star review, which appears to be ironic (“it is the very fact of its valuelessness that gives it its value”).
  • A three-star review where the reviewer becomes furious at Pessoa for writing only half of a brilliant book, when — like a loving parent — they know he could have done better.

It would seem that, for any common definition of “hate”, The Book of Disquiet is almost impossible to hate. And that seems right. Can you hate the air you breathe? Can you hate the ground on which you walk? Can you hate sleep?

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The Best Books of My 2017

Brought to you by the library system of the University of California, San Diego.

This is the fourth in a series of annual book reviews:

I read fewer books this year than in 2016, thanks to a new marriage and a few online serials that consumed a lot of reading time. But I’ve improved my selection process: I’m finishing more of the books I start, and learning more from the books I finish. As a result, I’d put this year’s class up against any of the other years in a… book fight?

(My Goodreads account has a rating for every book I remember reading.)

The Best Books

The first five are, in order, the books that I’ve thought about most often this year, and that I remember most vividly. The rest appear in no particular order.

  1. Ache Life History
  2. The Life-Changing Magic of Tidying Up
  3. Tools of Titans
  4. Against Democracy
  5. The Damnation of Theron Ware (free to read online, from Project Gutenberg)
  6. Hitch-22
  7. Killers of the Dream
  8. The Subjection of Women (free to read online, from Early Modern Texts)
  9. Intelligence: A Very Short Introduction
  10. Maverick
  11. War
  12. Hard to Be a God
  13. Annihilation
  14. The Traitor Baru Cormorant
  15. The Gods Are Bastards (free to read online)

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The Best Books of My 2016

This was a good year for reading, since I spent it sitting with my Kindle on airplanes. (Kindles are great — like tablets, but without all those fussy little apps that distract you from reading.)

Of the ~150 books I read this year, these are the ones that come to mind when I think of the word “best”. They are very different, and you won’t like all of them, but they all do something well.

For a list of every book I remember reading, check my Goodreads account.

Best List of All the Books

In no particular order, save for the first four, which I liked most of all.

  1. Rememberance of Earth’s Past (series, all three books)
  2. The Steerswoman (series, all four books)
  3. Chasing the Scream
  4. Rationality: From AI to Zombies
  5. The Last Samurai
  6. Axiomatic
  7. The Fifth Season
  8. The Found and the Lost
  9. The Future and its Enemies
  10. Evicted
  11. On the Run
  12. Conundrum
  13. The Thrilling Adventures of Lovelace and Babbage
  14. The Partly Cloudy Patriot
  15. Sustainable Energy – Without the Hot Air
  16. Machete Season
  17. How to Get Filthy Rich in Rising Asia

 

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The Best Music of My 2015

“Writing about music is like dancing about architecture.”

Thus, I’ll keep my writing to a minimum.

I listened to ~500 new albums and ~5000 new songs this year.

This means that I wasn’t paying enough attention to most of the music. But to make this list, a song had to catch my attention and keep my thumb on the replay button. Some of the best songs did for me what I imagine powerful drugs do for other people.
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